Shooting in the blue hour
The twenty minutes after sunset are the most forgiving light of the day. Here is how I use them.
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How I prepare for a wedding day
Checklists, quiet scouting and one very good pair of shoes: my calm way into a long day.
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Why I still shoot film
It slows me down, it costs me something and it makes me look twice. That is the whole point.
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Five portrait lighting setups at home
A window, a reflector and a plain wall are all you need. Five simple setups to try this weekend.
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Editing with a light touch
My retouching rules: keep the skin, keep the grain and never let the edit be the first thing you notice.
